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Eastern Cape students publish isiXhosa poetry book - DispatchLIVE
Forum explores poetry as educational approach to Confucianism_china.org.cn - China.org.cn
Going Deep With Poet John Stanizzi - Emagazine.com - E/The Environmental Magazine
Award-Winning Poet Cherbo Geeplay: Neo-colonialism A Cause of Concern in Places like Liberia - Front Page Africa
Poetic flourish costs founder of China’s Meituan super app $2bn - Financial Times
Olzhas Suleimenov – Renowned Kazakh Poet, Thinker and Activist – Turns 85 Today - Astana Times

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Editor’s Note
The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”