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Ask the Editor…

October 7, 2014

Q: I love to write poetry, but now I want to read more poetry. Do you have any tips for beginners? —Tongue-tied

A: Reading is the single most important thing you can do to improve your writing skills, and I cannot stress too highly the importance of reading poetry aloud. Editor J. Paul Hunter writes, in The Norton Introduction to Poetry, “poetry is, almost always, a vocal art, dependent on the human voice to become its full self.… Sometimes, in fact, it is hard to experience the poem at all unless you hear it.” If possible, listen to recordings of poems being read by the authors—a number of famous poets have done so. Check for copies at your local library.

From the Library of Congress, former Poet Laureate Billy Collins gives the following suggestions for reading poetry:

• Read slowly; it will make the poem easier to hear and help you catch the importance of each word. You can’t go too slowly. An easy way to set a good pace is to pause for a few seconds between the title and first line.

• Read in a normal, relaxed tone. There’s no need for a dramatic reading; let the words do the work and just speak clearly and slowly.

• Poems are written in lines, but pausing at the end of every line creates a choppy effect, interrupting a poem’s flow. Only pause at punctuation, like when reading prose.

• Look up unfamiliar and hard-to-pronounce words in a dictionary.

Related

Category: Improving Your Poetry
This entry was posted on Tuesday, October 7th, 2014 at 12:00 am. Both comments and pings are currently closed.

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  • Editor’s Note

    The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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