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Poetry: Wind Refreshing Cabin Memories - Adirondack Almanack
Remembering Richard: ‘You were a cranky poet, and your park and the people in it will miss you’ - Toronto Star
New Statue Unsettles Italian City: Is It Celebrating a Poet or a Nationalist? - The New York Times
UNL's Angel Garcia at Frank Museum's Front Porch Poetry Series Tuesday - Kearney Hub
Poetry round-up: Balancing life and death on a knife edge - The Irish Times
Ali Sethi’s new song highlights beauty of Faiz’s poetry - Samaa Digital

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Editor’s Note
The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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