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Houston's All-Girls Poetry Team Is Headed to a Global Competition - Houstonia Magazine
'Like a glass of vodka infected with blood:' 2 poems by Angela Marinescu, the matriarch of modern Romanian poetry - The Calvert Journal
Miller publishes first book of poetry - Sedalia Democrat
In The Moment: What You Learn Creating 100 Episodes Of 'Poetry From Studio 47' - South Dakota Public Broadcasting
Listen: Family, Ethiopian roots inspire Seattle Youth Poet Laureate's new book - knkx.org
Regional poetry to reach us via sound waves in new "Forgotten Stories" series - Kansas City Pitch

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Editor’s Note
The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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