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PAL launches elaborate genesis of Ghazal in Pakistan - Pakistan Today
An activist and artist examines policing, incarceration and trauma - through poetry - NBC News
Denise Provost and Doug Holder elected as NEPC co-presidents - The Somerville Times
Bilingual poetry book about A470 sets Welsh hearts racing - The Guardian
Contemporary poetry recital held at Chinese culture center in Paris - Global Times
Poetry has opportunity to flourish in Lake County in wake of COVID-19 pandemic - Lake County News

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Editor’s Note
The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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