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    RSS Web News

    • Kenwith Castle care home celebrates the power of poetry - North Devon Gazette
    • Obituary: Lis Lee, poet and playwright with a lifelong interest in the wider world - HeraldScotland
    • Poetry Sunday: Ava Laird | CAI - WCAI
    • Holiday season prompts 'Wishes of the World' poetry from students - Oklahoman.com
    • What's trending or not in our bookshelves this week - Livemint
    • Recapturing the potent poetry of 16th-century Bible translation [Unscripted column] - Fly Magazine

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  • Editor’s Note

    The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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