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    RSS Web News

    • Millay Arts, Poetry Festival to include multiple venues, events in honor of poet - PenBayPilot.com
    • Mindhunter Season Finale Recap: Poetic Justice - Vulture
    • Poetry for People Who Hate Poetry: The value of heart in your writing - Massillon Independent
    • Second Acts: A Second Look at Second Books of Poetry: Barbara Guest and Gracie Leavitt - lareviewofbooks
    • Mary Shelley's 'Frankenstein' legacy lives through women's prison poetry project - The Conversation - Canada
    • Poetry Sunday: Albert Starkey - WCAI

  • PUBLISH YOUR OWN BOOK OF POETRY

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  • Editor’s Note

    The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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