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The Queen

Owner: Ralph Ioan Radulescu


    Categories:

  • Milestone

Description

The other part of poetry.


Poems In This Collection

    • No sea

      PoetRalph Ioan Radulescu

      • A queen’s sudden craze in the left tower of Royal Palace of Olite (14th century, Navarre)

        PoetRalph Ioan Radulescu

        RSS Web News

        • EXPLORING NATURE: POETRY CONTEST | San Marcos Record - San Marcos Daily Record
        • Who was Scotland's most loved poet Robert Burns? - Plymouth Live
        • Sports editor's mailbox: Reader pays tribute to Kerry Coombs; another is a Rose Bowl poet - The Columbus Dispatch
        • Sir Paul McCartney teamed up with Armagh poet Muldoon for his new book - Belfast Telegraph
        • The Art of 'Bahas': How Wit Helps Poets Win Arguments - The Quint
        • How Nandana Dev Sen understood her mother better by translating her Bangla poems - THE WEEK

      • PUBLISH YOUR OWN BOOK OF POETRY

        You can publish your own book of poetry for as little as $350! Click here to learn how.

      • Editor’s Note

        The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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