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Power

Owner: Stacey Amoako


    Categories:

  • Milestone

Description

A voice for the unheard. The words we bleed.


Poems In This Collection

    The African Girl (La Fille Africaine)

    PoetStacey Amoako

    • how we perceive death

      PoetIbrahim Balogun

      RSS Web News

      • New Book “Prisoner of Poetry” by Poet Izzy Soto is an Exploration of the Human Condition - PR Web
      • Instagram threatens to stifle a new generation of poets - Financial Times
      • Poetry in motion at Ashford development - Independent.ie
      • Legendary Urdu poets and ghazal writers under spotlight - Daily Times
      • A poetic contemplation - Deccan Chronicle
      • ABAC professor Jeff Newberry to release poetry collection - The Albany Herald

    • PUBLISH YOUR OWN BOOK OF POETRY

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    • Editor’s Note

      The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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