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Power

Owner: Stacey Amoako


    Categories:

  • Milestone

Description

A voice for the unheard. The words we bleed.


Poems In This Collection

    The African Girl (La Fille Africaine)

    PoetStacey Amoako

    • how we perceive death

      PoetIbrahim Balogun

      RSS Web News

      • Poet, politicians to mark first enslaved Africans’ arrival - Washington Post
      • Dami Ajayi: The doctor's in, and so's the poet - Daily Trust
      • The agony and the ecstasy -- a call for dogma to embrace poetry - rabble.ca
      • Young poets catch rhyming bug - Wairarapa Times Age
      • Writers celebrate national poetry day in NZ - RNZ
      • Eureka's Poet Laureate David Holper | A+E - North Coast Journal

    • PUBLISH YOUR OWN BOOK OF POETRY

      You can publish your own book of poetry for as little as $350! Click here to learn how.

    • Editor’s Note

      The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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