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Power

Owner: Stacey Amoako


    Categories:

  • Milestone

Description

A voice for the unheard. The words we bleed.


Poems In This Collection

    The African Girl (La Fille Africaine)

    PoetStacey Amoako

    • how we perceive death

      PoetIbrahim Balogun

      RSS Web News

      • World Poetry Day 2019: What the Peacock said to Ganesha about his Brother's Lovesickness - Firstpost
      • Canberra poet is touched by songs based on his works - The Sydney Morning Herald
      • The new wave of poets taking verse viral - Vogue Australia
      • Local books: Stories of World War II; poetry about everyday life; events and signings - Akron Beacon Journal
      • George the Poet: Social media gives poets 'a fair shot' - BBC News
      • Woodworker and poet shares his talents - Fluvanna Review

    • PUBLISH YOUR OWN BOOK OF POETRY

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    • Editor’s Note

      The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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