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Power

Owner: Stacey Amoako


    Categories:

  • Milestone

Description

A voice for the unheard. The words we bleed.


Poems In This Collection

    The African Girl (La Fille Africaine)

    PoetStacey Amoako

    • how we perceive death

      PoetIbrahim Balogun

      RSS Web News

      • Poet Brigette Bianca on connecting through spoken word | Greater LA - KCRW
      • Special: An impossible hospital bill, LA poetry, and the King of Pop's photographer - KCRW
      • The Bookshelf: N.H. Poet Laureate Will Be Your Reader - New Hampshire Public Radio
      • App State presents inaugural awards for inclusive excellence - Appalachian State University
      • Town Hall Seattle and KUOW series highlights AAPI poets - Northwest Asian Weekly
      • Poet Rachel Rabbit White Is a Student of Romance, True Love, and Sex - Vogue

    • PUBLISH YOUR OWN BOOK OF POETRY

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    • Editor’s Note

      The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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