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Power

Owner: Stacey Amoako


    Categories:

  • Milestone

Description

A voice for the unheard. The words we bleed.


Poems In This Collection

    The African Girl (La Fille Africaine)

    PoetStacey Amoako

    how we perceive death

    PoetIbrahim Balogun

    RSS Web News

    • Poetry is going viral - Gulf Times
    • Maryland Poet Laureate Grace Cavalieri Reflects On A Lifetime Loving Language - WAMU 88.5
    • Today in Lansing: MSU “Filmetry Festival” screens 12 shorts produced by local filmmakers, poets - City Pulse
    • Barbican Cinema Announces 'Poetry In Motion: Contemporary Iranian Cinema' - Broadway World
    • Humanities Hub spring speakers include filmmaker and a Pulitzer Prize-winning poet - Clemson Newsstand
    • Dear Elizabeth review – poets bare their souls in a lyrical show - The Guardian

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  • Editor’s Note

    The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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