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Ask the Editor…

April 7, 2015

Q: I have no trouble writing poems (my journals are full of them) but my titles are the worst! Is there any way to make title-brainstorming easier? —Harried Headlines

A: Sometimes finding the right title for a poem can be the hardest step of the writing process. An easy solution is to use a memorable line from the beginning or ending of your poem. Or try these other ideas for making the job less painful from wikiHow.com, the Center for Writing at the University of Minnesota, and Richard Leahy’s “Twenty Titles for the Writer.”

First, think about the purposes of a title: it predicts what the reader will find, catches the reader’s interest, and reflects the tone of the poem. Now, start brainstorming. Write down everything that comes to mind when you think about your poem. Identify the main themes, list keywords, and jot down anything that stands out. Especially look for attention-grabbing phrases. Or, search your verse for a concrete image—something you can hear, see, taste, smell, or feel. WikiHow suggests using “strong, vivid language,” and that “a title needs to stand out. Strong action words, vivid adjectives, or intriguing nouns can all make your title compelling. Look at the words in your potential title. Are there synonyms that are more descriptive or unique? Can you choose a word that has a less general meaning? Some words are so common their meaning doesn’t impact readers the same way.” Now arrange your ideas in different combinations to see if a good title comes out. If you’re still stuck, try these title-composing exercises:

Write a title that asks a question and starts with What, Who, When, Where, How or Why.

Write a title that is a lie—you probably won’t use it, but it will get your creative juices working.

Write a one-word title using the most obvious word possible.

Write a one-word title using the least obvious word.

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Category: Improving Your Poetry
This entry was posted on Tuesday, April 7th, 2015 at 12:00 am. Both comments and pings are currently closed.



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  • Editor’s Note

    The number one question our editors receive is—what do the editors and judges look for when judging the contest? The number one answer we give is creativity. Unlike prose, writing composed in everyday language, poetry is considered a creative art and requires a different type of effort and a certain level of depth. Of the thousands of poems entered in each contest, the ones that catch our judges’ eyes are the ones that remove us, even just slightly, from the scope of everyday life by using language that is interesting, specific, vivid, obscure, compelling, figurative, and so on. Oftentimes, poems are pulled aside for a second look based simply on certain words that intrigued the reader. So first and foremost, be sure your poetry is written using creative language. Take general ideas and make them personal. In his infamous book De/Compositions: 101 Good Poems Gone Wrong, W. D. Snodgrass imparts, “We cannot honestly discuss or represent our lives, any more than our poems, without using ideational language.”

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